Tag Archives: Karass

ATIVIN, ANWAR SADAT, and KARASS at THE NEW VINTAGE, Saturday, April 18th

Ativin Poster to print 11x17

The Other Side of Life is proud to present:

ATIVIN

ANWAR SADAT

KARASS

Saturday, April 18th
at The New Vintage
2126 S. Preston
Doors open at 9 PM
$10, ALL AGES!
Advance tickets available here: http://www.ticketfly.com/event/814873-ativin-anwar-sadat-louisville/
Facebook invitation here: https://www.facebook.com/events/1556175367975281/
Recommended If You Like: Slint, Shellac, Mission of Burma, Swans

ATIVIN formed in Bloomington, Indiana in the winter of 1994 after Chris Carothers (guitar) and Rory Leitch (drums) met at Indiana University. Guitarist Dan Burton joined the group the following spring, cementing the band’s loud, instrumental rock sound. Steve Albini and Carl Saff recorded the band’s debut EP, Pills vs. Planes, which was released in December 1996. The spring of 1997 saw the release of the “Modern Gang Reader”/”Larkin” single, the first of several releases for Secretly Canadian Records. The band worked with Andy Bryant at King Size on German Water, its debut album for Secretly Canadian, releasing it in March 1998. A return to Albini’s Chicago studio, Electrical Audio, yielded the four-song EP Summing the Approach, which was released in the fall of 1998. Taking a break while Carothers moved out west and Burton worked in the band Early Day Miners, ATIVIN reconvened in 2001 with drummer Kevin Duneman, to record Interiors, which added sparse, minimalist vocals to their sound; it was released in early 2002 to critical acclaim. Continuing on in the same vein, ATIVIN recorded their last release Night Mute in both Bloomington and Portland, using drummers Mark Rice (John Wilkes Booze) and Joey Ficken (The Swords Project) in early 2004. After a lengthy hiatus, ATIVIN are now playing select shows when and if they feel it’s right.

ANWAR SADAT “sound totally Boston circa 1982: aggressively shouted vocals, aggressive rhythms, jaggedly distorted guitars and just enough melody above the noise to make them catchy as hell.” – New York Music Daily. ANWAR SADAT has released two albums and an EP, and is currently working on their third album.

karass

Louisville, Kentucky’s KARASS uses live loops, chimey guitars, interstellar electronics, driving bass, pulsing synths, thunderous drums, and weepy cello to create sprawling soundscapes that drive forward towards an epic climax in a quirky, odd-metered fashion.

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Black Moth Super Rainbow at Zanzabar, Thursday, November 8th

LEO Weekly ran my preview today of Thursday’s upcoming Black Moth Super Rainbow, Casket Girls, and Karass show at Zanzabar (scroll down to Thursday’s entry):

Thursday, Nov. 8
Black Moth Super Rainbow
Zanzabar
2100 S. Preston St.
zanzabarlouisville.com
$13-$15; 9 p.m.

Hailing from rural western Pennsylvania, Black Moth Super Rainbow traffic in a sort of murky, low-fi but high-tech psychedelic pop, equal parts new wave and krautrock (though sometimes not resembling either). Their fifth album, Cobra Juicy, was just released last month, and some might say it’s their most ambitiously accessible record yet. Main man Tobacco still sings enigmatic lyrics through a vocoder, but the melodies seem a bit more straightforward, almost like radio hits from an alternate universe. Much like the vintage arcade games that line Zanzabar, Black Moth Super Rainbow offer a trippingly fun look backward. With opening sets from Casket Girls and Karass; tickets are available at Astro Black and Underground Sounds. —Joel Hunt