Tag Archives: Coliseum

COLISEUM “ANXIETY’S KISS” Record Release Show with YOUNG WIDOWS, CHILD BITE, and EXACTA CUBE at THE NEW VINTAGE, Friday, June 5th

JUNE5_WEB(1)
(Poster by Ryan Patterson.)

The Other Side of Life is proud to present:

COLISEUM
Anxiety’s Kiss RECORD RELEASE SHOW

with special guests

YOUNG WIDOWS

CHILD BITE

EXACTA CUBE

Friday, June 5th
at THE NEW VINTAGE
2126 S. Preston
Doors open at 8 PM
$10, ALL AGES!
Advance online tickets on sale here: http://www.ticketfly.com/event/853001
Advance tickets also available at GUESTROOM RECORDS, 1806 Frankfort Avenue, in Clifton.
Facebook invitation here: https://www.facebook.com/events/1587211641553818/
Recommended If You Like: Louisville!

The first 20 pairs of tickets sold at GUESTROOM RECORDS will come with a FREE cassette of COLISEUM‘s Anxiety’s Kiss!

Coliseum

Founded by Louisville musician Ryan Patterson and including Kayhan Vaziri and Carter Wilson, power trio COLISEUM have grown to become one of today’s quintessential contemporary punk bands. Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision. Over the last decade COLISEUM have released music on a host of labels including; Temporary Residence, Relapse, Level Plane, Auxiliary (Ryan’s own label), and Deathwish. Anxiety’s Kiss is the new album from COLISEUM, recorded at The Magpie Cage by producer/engineer J. Robbins (Jawbox, Burning Airlines). Anxiety’s Kiss is a hook-laden maturation of the COLISEUM sound. Nods to their early D-Beat leanings are there, but it is their willingness to embrace Post-Punk melody and explore the space between notes that make Anxiety’s Kiss so alluring. Confidently growing within the punk world, without ever leaving it behind. A flawless, yin and yang pairing that is Coliseum at the peak of their experimental and anthemic powers.

youngwidows

Louisville’s creatively restless dark-rock auteurs YOUNG WIDOWS feature guitars that are enormous, drums that are pummeling, and trademark gut-churning bass that is more jaw-dropping than ever. Disregarding all boundaries and pushing forward with a masterful command of post-punk, noise rock, pseudo industrial, experimental doom, and goth, YOUNG WIDOWS emit the intimidating force of a 10-piece with the heart and soul of a classic power trio.

ChildBite

CHILD BITE is a Detroit-based punk/metal/noise rock band formed in 2005. Currently signed to Phil Anselmo’s Housecore Records as well as Indianapolis-based Joyful Noise Recordings, their music consists of atonal guitar melodies, distorted bass, frequent rhythmic shifts, and frenzied, howling vocals. Their most easily identifiable influences include ’80s hardcore (Black Flag, Dead Kennedys) and ’90s alternative (The Jesus Lizard, Faith No More). Their sound has been described as “enormous and predatory, from the baleful rhythm section to Shawn Knight’s [frightening vocals]” (Fine Print Mag, 2013). CHILD BITE has over a dozen releases of varying lengths, including a triple split 7″ with David Yow & Thurston Moore, as well as a 5″ EP of Anal Cunt songs featuring Phil Anselmo on vocals.

EXACTA CUBE is the electronic improvisational vehicle of Introvert (www.soundcloud.com/introvertmusic) and Nicholas Daniel (www.soundcloud.com/gigasturtz). Intricate textures mashed with complex and evolving rhythms, their debut cassette last year was the first release on the new, Louisville-based City State Tapes label (www.facebook.com/citystatetapes).

Facebook: https://www.facebook.com/OtherSideShows
Instagram: http://instagram.com/hstencil
Twitter: https://twitter.com/OtherSideShows

LOOP, COLISEUM, and THE PEOPLE’S TEMPLE at THE NEW VINTAGE, Tuesday, April 29th

LOOP_web

The Other Side of Life is proud to present:

LOOP (London, UK)

with

COLISEUM(Louisville, KY; on Temporary Residence Ltd.)
THE PEOPLE’S TEMPLE(Lansing, MI; on Hozac Records)

Tuesday, April 29th
at THE NEW VINTAGE
2126 S. Preston
7 PM, 18+ entry, 21-and-over drinks with valid photo ID.
$10 advance tickets available here: http://www.ticketfly.com/event/506833-loop-louisville/.
$15 day-of-show.

LOOP was formed in Croydon, London, 1986 by Robert Hampson (vocals/guitars) and partner Beki Stewart (Bex) on drums. After finding Glen Ray on bass, through an advert in Melody Maker, they began to perform live and were quickly signed to HEAD Records run by Jeff Barrett (Heavenly) who released their feedback-drenched debut 12” 16 Dreams. The band managed to hypnotize all with their discordant trance-like spell which served as an antidote to the prevailing trend in British pop at the time – they resurrected the concept of loud out there-rock for a new era, creating droning soundscapes of bleak beauty and harsh dissonance, loosely influenced by bands such as The Velvet Underground, The Stooges, The MC5, but retaining an avant-garde and experimental edge from Can, Faust, Neu!, Rhys Chatham, Glenn Branca and minimalist systems music, to name but a few.  Live shows were revelatory, Loop, allowing LOUD as an constant descriptive term, they pushed PAs to the very edge of their existence, creating a sonic pummel not really experienced since. This show will be their Louisville debut!

Celebrating their 10th year as one of independent music’s most substantive bands, Louisville’s COLISEUM return from touring for their fourth full-length, the stunning Sister Faith, released by Temporary Residence Ltd. Expanding on the anthemic direction the trio veered toward on 2010′s highly acclaimed House With a Curse, Sister Faith‘s 13 songs are the most dynamic and immediately captivating of the band’s career, bristling with galvanizing melodies at the collision point between punk and noise-rock. The first album to be recorded in producer J. Robbins’ recently relocated Magpie Cage Studios, Sister Faith is also the first Coliseum recording to feature new bassist, Kayhan Vaziri, in addition to contributions from some of the groups’ closest friends and musical peers: Wata of Boris, J. Robbins (Jawbox, Burning Airlines), Jason Farrell (Swiz, Bluetip), Elizabeth Elmore (Sarge, The Reputation), Chris Colohan (Burning Love, Cursed), Sam James Velde (Night Horse, Bluebird), and Jason Loewenstein (Sebadoh, The Fiery Furnaces) all make small but memorable contributions.

THE PEOPLE’S TEMPLE was formed in 2007 by two sets of brothers: Alex Szegedy (guitar/vocals) and George Szegedy (drums) and Spencer Young (bass/vocals) and William Young (guitar/vocals). The Lansing, Michigan band met while growing up in Perry — a small town 20 minutes outside of Lansing. While still in high school the brothers became influenced by ’60s psych, folk, and shoegaze, which show in the band’s reverberated sound. The band started playing gigs in the Lansing area in 2008 and has since developed a reputation of performing wild stage shows, with ample guitar feedback.  The band has 7-inch EPs on Certified PR Records, Milk-n-Herpes Records and HoZac Records. Their debut LP, “Sons of Stone” was released in Mayl 2011 on HoZac Records. Also a 7″ on Goodbye Boozy appeared in late 2011. The band is released its second album, More for the Masses, in December 2012.

Check out the Facebook invitation here: https://www.facebook.com/events/1398619360400107/.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

COLISEUM, LIONS OF TSAVO, EARLY AGE, and WHITE REAPER at THE NEW VINTAGE, Tuesday, November 12th

COLISEUM_111213_SQ_UPDATE

Cropped Out and The Other Side of Life are proud to present:

COLISEUM (Louisville, KY; on Temporary Residence Ltd.)
LIONS OF TSAVO (Austin, TX; on Toxic Assets)
EARLY AGE (Louisville, KY)
WHITE REAPER (Louisville, KY)

Tuesday, November 12th
at THE NEW VINTAGE
2126 S. Preston
7 PM, 18+ entry, 21-and-over drinks with valid photo ID.
$8 door, or advance tickets available here: http://www.ticketfly.com/event/404581-coliseum-louisville/.

Celebrating their 10th year as one of independent music’s most substantive bands, Louisville’s COLISEUM return from touring for their fourth full-length, the stunning Sister Faith, released by Temporary Residence Ltd. Expanding on the anthemic direction the trio veered toward on 2010′s highly acclaimed House With a Curse, Sister Faith‘s 13 songs are the most dynamic and immediately captivating of the band’s career, bristling with galvanizing melodies at the collision point between punk and noise-rock. The first album to be recorded in producer J. Robbins’ recently relocated Magpie Cage Studios, Sister Faith is also the first Coliseum recording to feature new bassist, Kayhan Vaziri, in addition to contributions from some of the groups’ closest friends and musical peers: Wata of Boris, J. Robbins (Jawbox, Burning Airlines), Jason Farrell (Swiz, Bluetip), Elizabeth Elmore (Sarge, The Reputation), Chris Colohan (Burning Love, Cursed), Sam James Velde (Night Horse, Bluebird), and Jason Loewenstein (Sebadoh, The Fiery Furnaces) all make small but memorable contributions.

Sonically-destructive Austin power trio, LIONS OF TSAVO, following a nearly four-year silence between releases, will deliver their third full-length album this November, Traverser. Boasting their crushing upbeat sludge/doom, and building on the vestiges of their previous recordings, but taking everything to another level of intensity this time, Traverser is indisputably LIONS OF TSAVO’s most well-executed and tonally dominating release of the band’s ongoing lineage. With elements expanding the genre into their own unique vision, arguably akin to contemporary greats like Mastodon, Hull, Today Is The Day, Inter Arma and Keelhaul in a cavernous void between gargantuan stacks of amplification, Traverser rages with over fifty-two minutes of enormous, debilitating riff-vs.-percussion displays of bruising music that never ceases to throw a new headbender at you with every turn.

If you had to list every band that every EARLY AGE member previously or currently plays in, well, you’d have this list: Mountain Asleep, Prideswallower, Black God, Whips/Chains, Second Story Man, Minnow, Julie of the Wolves, Breather Resist, Young Widows, Brain Banger, Liberation Prophecy, Sandpaper Dolls, and Young Scamels. If one or more of those bands haven’t previously blown you away, then you might not have a pulse.

WHITE REAPER are Louisville’s latest garage rock sensation, catch them before they’re either huge and/or move to Nashville/Memphis/anyplace else.

Find the Facebook invite here: https://www.facebook.com/events/316220871852258.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

UPDATE, 10/21: Sadly, THE PHANTOM FAMILY HALO will not be able to play this show! We wish them the best, and hopefully they’ll return to Louisville soon!

COLISEUM Sister Faith Record Release Show with ANWAR SADAT and TROPICAL TRASH at ZANZABAR, Friday, May 10th

Cropped Out and The Other Side of Life Present:

COLISEUM
Sister Faith album release and tour kickoff
(Louisville, KY; on Temporary Residence Ltd.)

with special guests:
ANWAR SADAT (Louisville, KY; Sophomore Lounge Records)
TROPICAL TRASH (Louisville, KY; on Loin Seepage/Sophomore Lounge)

Friday May 10th
at ZANZABAR
2100 S. Preston
9 pm, 21-and-over
$5 advance tickets available online here http://zanzabarlouisville.ticketfly.com/event/267687-coliseum-louisville/ and at ASTRO BLACK RECORDS (930 Baxter Avenue) / $7 day-of-show

Special advance ticket offer from COLISEUM and ASTRO BLACK: $20 gets you a ticket to the show and a pre-order of COLISEUM‘s Sister Faith LP on limited edition colored vinyl, redeemable at ASTRO BLACK on or after April 30th. Ask at the store for details!

Celebrating their 10th year as one of independent music’s most substantive bands, Louisville’s COLISEUM return with their fourth full-length, the stunning Sister Faith, to be released on April 30 on Temporary Residence Ltd. Expanding on the anthemic direction the trio veered toward on 2010’s highly acclaimed House With a Curse, Sister Faith‘s 13 songs are the most dynamic and immediately captivating of the band’s career, bristling with galvanizing melodies at the collision point between punk and noise-rock. The first album to be recorded in producer J. Robbins’ recently relocated Magpie Cage Studios, Sister Faith is also the first Coliseum recording to feature new bassist, Kayhan Vaziri, in addition to contributions from some of the groups’ closest friends and musical peers: Wata of Boris, J. Robbins (Jawbox, Burning Airlines), Jason Farrell (Swiz, Bluetip), Elizabeth Elmore (Sarge, The Reputation), Chris Colohan (Burning Love, Cursed), Sam James Velde (Night Horse, Bluebird), and Jason Loewenstein (Sebadoh, The Fiery Furnaces) all make small but memorable contributions.

ANWAR SADAT “sound totally Boston circa 1982: aggressively shouted vocals, aggressive rhythms, jaggedly distorted guitars and just enough melody above the noise to make them catchy as hell.” – New York Music Daily. ANWAR SADAT recently finished a tour of the East Coast in support of their debut album Gold, which was released on vinyl this spring by Sophomore Lounge.

TROPICAL TRASH have caused quite a stir with their debut 7″, Fear of Suffering, on Sophomore Lounge. Still Single describes TROPICAL TRASH as an “Excellent combination of thrashing energy and solid ideas that break apart and recombine in novel, tuneful ways.” They’re just as thrilling live as on record, so don’t miss this opportunity to rock out with ‘em!

Check out the Facebook event here: https://www.facebook.com/events/395380460569585.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

A CROPPED OUT Summary: Or Louisville’s Best Music Weekend Ever

Hey Louisville, if you weren’t at CROPPED OUT at some point during this past weekend, you really missed something quite special. It wasn’t just that there were a buncha noisy, arty bands and rock n’ roll and whatnot. There was actually a quite palpable community spirit, evidenced by the smiles, high-fives, and general fun it seemed that most everybody had. Didn’t hurt that some of the best weather of the fall made it possible for lots of bands to play outside, too. So here’s a quick rundown of best parts of the festival, complete with crappy pictures from my cellphone.

DAY 1 — FRIDAY, NOVEMBER 11th: Though it got started way early on Friday afternoon, and there was some noise issues early on, Friday was a good start, especially for the Louisville bands on the bill. SAVAGES played immediately after LEARNER DANCER, both of which brought forceful, guitar-heavy rock (the former more in a pop vein, while the latter mined some heavy Sonic Youth-style dissonant territory).

Shedding

One of the early Friday highlights was, of course, Louisville’s SHEDDING (disclaimer: Connor and I are buds, but even if we weren’t, I’d still love his music). Despite his talk of being influenced by RUSH, Connor really brought more of a CURRENT 93 vibe, perfectly mellow yet eerie.

Shit & Shine

Another Friday highlight was Austin, Texas’s SHIT & SHINE, which featured none other than the BUTTHOLE SURFERS’ KING COFFEY on percussion. Tribal, BOREDOMS-esque throb with synth squiggles and CB radio nonsense. Totally fun.

Other Friday night highlights included (in no particular order):
1. apologizing to KING COFFEY for talking his ear off at SxSW ’07
2. MOUNT CARMEL — and the revelation afterwards that KING has never seen ZZ TOP!
3. bonfires (more on them later)
4. hangin’ with MV + EE‘s dog Zuma
5. SHIT & SHINE‘s bunny suits
6. MV + EE singing “Fire on the Mountain” at the end of a fantastic set backed by TIM BARNES and CHRIS from the CHERRY BLOSSOMS (thanks for the beers!)
7. Locals ALCOHOL PARTY, NATIVES, ANWAR SADAT, and AXEL COOPER showing how it’s done
8. Chorizo taco from the Holy Mole Taco Truck
9. Good times with friends old and new
10. Beer

DAY 2 — SATURDAY, NOVEMBER 12th: Saturday started inauspiciously as I showed up to the venue, the CRUMMY DEN, way early, so I wandered over to the FLEA OFF MARKET (where I bought an excellent book of photography from Louisville Hardcore’s poet laureate, Mr. BRETT EUGENE RALPH), then had lunch at the Blind Pig. Missed most of the early sets due to some errands I had to run, but caught a little bit of VIDEO DAUGHTER, who were okay.

Continue reading

CROPPED OUT is coming up…

We haven’t had too much to say about the upcoming CROPPED OUT festival, on the weekend of November 11th – 13th here in lovely Louisville, Kentucky, because it seems like it’s all anybody can talk about anyway! I mean, can you believe freakin’ SCRATCH ACID is gonna play?* Me neither, and I’m really stoked!

But the CROPPED OUT fest is far more than just one band. It’s a whole mess of ’em! Including some of our favorite performers ever:

  • BILL ORCUTT, former guitarist for HARRY PUSSY, and one of the most exciting purveyors of six-string nonsense (even though he only plays four strings, apparently) going today.
  • MV + EE, the duo of Matt Valentine (formerly of THE TOWER RECORDINGS) and Erika Elder is probably the closest you’ll get to seeing Neil Young live, except perhaps even more damaged. And rumor has it that former TOWER RECORDINGS member TIM BARNES will be joining them!
  • MOUNT CARMEL is probably our favorite of the new SILTBREEZE roster — straight-ahead Ohio-style boogie rock!
  • HUMAN EYE might possibly be the best rock band in Detroit right now. Period.

And there’s a whole slew more, including lots of shit we’ve never heard of before! And a bevy of fantastic local artists, including our friends SAPAT, YOUNG WIDOWS, SHEDDING, COLISEUM, CROSS, and lots more!

They got a new web site up at http://croppedoutmusic.com, so check it out and buy your tickets ASAP.** It’s gonna be killer!

*On a side note, how come nobody got it together to bring THE JESUS LIZARD to Louisville during their recent reunion action? Just because Laura Shine has no idea who they are doesn’t mean they weren’t one of the most popular Chicago-style bands to play in Louisville during the 1990s. Our excuse for not booking them is, well, we were too poor to afford their guarantee (as if our shoe-string show budget wasn’t obvious).

**Seriously Louisville, if you sleep on this like you slept on TERRASTOCK 2008, you only have yourself to blame. The prices are good, the venue is centrally located, and if you miss it…

DISCLAIMER: We are buds with Ryan and James who are booking/promoting CROPPED OUT, and we think they’re awesome! We do occasionally co-promote shows with ’em but that’s only because they rule!