International Association for the Study of Popular Music Party with 1200, WUSSY, and DAVID GRUBBS at THE NEW VINTAGE, Friday, February 20th


The Other Side of Life and the International Association for the Study of Popular Music-US are proud to present:

The International Association for the Study of Popular Music-US Conference Party





Friday, February 20th
2126 S. Preston
8 PM
Free for IASPM-US Conference Attendees
$7 for the general public
Advance online tickets available here:
Facebook invitation here:

1200 is a classically trained musician and experimental hip hop artist from Louisville, KY. Prior to obtaining his Bachelor of Music Education at the University of Louisville, he had the chance to perform at the Meyerson Symphony Center in Dallas, TX and the Jungfrau Music Festival in Interlaken, Switzerland. Though 1200‘s music can be considered hip hop, it is also heavily influenced by neo-classicism and fusion. 1200’s unique blend of talent, experience, and poly-stylism also appears in local musical ensembles that include the hip hop band Citizens United and fusion group Monolith. His most recent creative endeavor is the 1200 tour, a mixed ensemble that features DJ Deuce, keyboardist and guitarist Nick B, soprano vocalist Jazmyn Aria, and baritone vocalist Tyler Dippold. In addition, the group’s structure is also fluid for live shows. In their performance at Headliners Music Hall in 1200‘s hometown, the typical five-piece ensemble was joined onstage by a twelve-piece chamber chorus and string quintet.

WUSSY are a four-piece rock band from Cincinnati, Ohio fronted by ex-Ass Ponys frontman Chuck Cleaver and Lisa Walker. The two began performing together in 2001 as a result of Cleaver’s stage fright when asked to perform a brief run of solo shows. The duo’s first show was largely unplanned and still went without incident.. so they agreed to continue and expand. Mark Messerly joined in 2002 as bassist and utility man, and Dawn Burman joined on drums shortly thereafter. The four-piece released three full-length albums and one EP on their native Cincinnati’s Shake It label. Their work has met with critical praise from Rolling Stone and SPIN, both of which gave the band’s second and third albums four stars each, in addition to favorable reviews from Village Voice, NPR, Washington Post, Uncut, and many other press outlets. The “Dean of American Critics” Robert Christgau placed the band’s first two albums (Funeral Dress and Left for Dead) on his Best of the Decade list, and their third, self-titled album ranked tenth in his best of 2009 Dean’s List. Burman left the band in early 2009 and was replaced by veteran Cincinnati drummer Joe Klug.

DG by Gonçalo F. Santos

DAVID GRUBBS is an associate professor in the Conservatory of Music at Brooklyn College, CUNY, where he also teaches in the MFA programs in Performance and Interactive Media Arts (PIMA) and Creative Writing.  He is the author of the book Records Ruin the Landscape: John Cage, The Sixties, and Sound Recording (Duke University Press). GRUBBS has released twelve solo albums and appeared on more than 150 commercially released recordings.  He is known for his cross disciplinary collaborations with writers  such as Susan Howe and Rick Moody, and with visual artists such as Anthony McCall, Angela Bulloch, Cosima von Bonin, and Stephen Prina.  His work has been presented at the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. GRUBBS, a Louisville native, was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and he has performed with the Red Krayola, Will Oldham, Tony Conrad, Pauline  Oliveros, and Loren Connors, among many others.  He directs the Blue Chopsticks record  label and is a member of ISSUE Project Room’s Board of Directors.


IASPM-US represents the United States branch of the International Association for the Study of Popular Music. IASPM-US has been an important part of the popular music landscape since the early 1980s and serves as a forum for a range of scholarly and other approaches to popular music. The past several decades have witnessed a period of dramatic and exciting growth in the field of popular music studies. The centrality of popular music to notions of personal and collective identity, geographic identity, political affiliation, technological change and adaptation, the economic and legal parameters of “intellectual property,” and the sociology of consumer-based fan cultures, makes it likely that popular music studies will only continue to grow in importance and intellectual value.

The US branch of IASPM holds true to the goals of our parent organization in the belief that popular music has much to teach us about this world. We place an emphasis on the writings and other activities of US-based scholars, journalists, and musicians–focusing not only on American music but also on musics from across the globe, and “Music 2.0″ made and consumed in virtual soundscapes.

For a professional organization, we are unique for our inter-disciplinary scope–spanning fields such as musicology, sociology, cultural anthropology, literary studies, cultural studies, American studies, and so on. The democratic, inclusive outlook of IASPM-US extends not only across different academic disciplines but also to the inter-professional level. In other words, we seek the contributions and expertise of popular music critics, journalists, industry workers, and cultural administrators in addition to university academics. Click our “How to Join” page for information on becoming an IASPM-US member.

The IASPM-US 2015 Annual Conference will take place at the University of Louisville, February 19-22, 2015.
Twitter: @OtherSideShows

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