Tonight Vice-subsidized living legends PIERCED ARROWS play Headliners, with OLD BABY and DON’T (who have some sort of WIPERS connection). PIERCED ARROWS consist, of course, of Fred and Toody Cole from the amazing DEAD MOON, who we never got to see because they never played Louisville back in the day. Let’s hope tonight makes up for that. 8 PM doors, 18+, $10.
On Saturday, SONIC YOUTH‘s LEE RANALDO plays Zanzabar with his new band, which also features SY‘s drummer Steve Shelley as well as guitar slinger Alan Licht (one of our favorites). Opening is another favorite of ours, the ever-quotable WOODEN WAND. James Toth is a certifiable genius, or at least he’s married to one. Some other band called SEA HERO plays too. 9 PM, 21-and-over, $16 advance tickets (here), or $18 day of show.
Wednesday, May 30th
at ZANZABAR
2100 S. Preston
9 PM doors, $6, 21-and-over
PILLARS AND TONGUES is a trio based in Chicago, Illinois whose musical pursuits seem to defy genre categorization. The ongoing result of these pursuits has been called, variously, “holy” and “sexy” and it may well be the tension between these two concepts which lights the fire under (over?) PILLARS AND TONGUES. Think on those things which are so beautiful they become obscene. Speaking literally, the trio makes extended use of the human voice, violin, double bass, drums, bells and organs. The music is perhaps distinctly American in both its affair with American forms and its refusal to adhere to them at all.
John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. MAN FOREVER, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience. Thrill Jockey will release MAN FOREVER‘s first album, Pansophical Cataract, on May 15th.
(Photo of New Mother Nature by Tim Furnish.)
NEW MOTHER NATURE is a relatively new band on the Louisville scene, but filled with familiar faces. Members of NEW MOTHER NATURE are current or former members of Old Baby, The Phantom Family Halo, Natural Geographic, and many more. They’re quickly becoming one of our favorite new bands, and we think you’ll like ‘em as well.
Tuesday, May 8th
at ZANZABAR
2100 S. Preston
8 PM, $5, 21-and-0ver
P. G. SIX is the moniker for Pat Gubler, former string man with the Tower Recordings, and current solo artist for Drag City, who released his fourth solo album, Starry Mind, last year. He’s touring with a full band, which features Bob Bannister and Robert Dennis (both of Fire in the Kitchen and Tono-Bungay), and this show will be his Louisville debut. Don’t miss it!
NATHAN SALSBURG is an archivist, producer, guitarist and writer based in Louisville, Kentucky. He has worked for the Alan Lomax Archive since 2000, for which he currently serves in the capacities of production manager, photo and video archivist, and general digital catalog editor. Since 2006 he has produced and hosted “Root Hog Or Die,” a vernacular/traditional music program on East Village Radio, and is curator of the Twos & Fews recording imprint, also a vernacular music entity, and a collaboration with Chicago’s Drag City label. SALSBURG maintains an index of on-line vernacular music resources at his blog, roothogordie.wordpress.com, and contributes occasional music writing to the Louisville Eccentric Observer and the Other Music weekly update. Last August, the Tompkins Square label released Avos, a collaboration between SALSBURG and Chicago guitarist James Elkington (formerly of the Zincs), and SALSBURG’s first solo album, Affirmed, was released last November on No Quarter.
In the year since LUKE ROBERTS recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting and arrangements found on The Iron Gates at Throop andNewport , recently released by Thrill Jockey.
Friday, May 4th — OAKS NIGHT!
atZANZABAR 2100 S. Preston Street
9 PM DOORS, $6 cover, 21 and over
CAVE began in Columbia, Missouri, playing mostly improvisational live music. CAVE is now located in Chicago, Illinois. In September 2011 Drag City released the new full length CAVE record Neverendless, which they describe as “a motorik masterwork! The new CAVE is roller-rinkin’ rock for the next generation!”
Watch the video directed by Miss Pussycat for the song “W U J” off their Drag City album Neverendless here:
TODAY THE MOON, TOMORROW THE SUN is a band of four. 2 boys. 2 girls. Noisy. Dancy. Loud. Sincere. Sweaty. Loveable. Hardworking. A real good time. Touring full-time since August ’09.
Wednesday, April 11th ZANZABAR 2100 S. Preston Street
9 PM DOORS, $5 cover, 21 and over
OLD BABY is a new Louisville-based band consisting of Todd Cook (SHIPPING NEWS, KINGS DAUGHTERS AND SONS), Jonathan Glen Wood, Neil Argabright (SAPAT), Drew Osborn (WORKERS) and Evan Patterson (YOUNG WIDOWS). This will be the release show for their debut record, Misunderstanding Human Behavior, on Hawthorne Street Records.
200 Years is the new project by Ben Chasny (Six Organs of Admittance, Rangda) and Elisa Ambrogio (Magik Markers). As we wrote in the LEO WEEKLY, their self-titled debut on Drag City “is superficially akin to Chasny’s Six Organs project as it features primarily acoustic guitars, delicately sweet melodies and the occasional accompaniment by harmonium. But the band is really Ambrogio’s showcase, as her voice dominates the album. However, unlike her usually confrontational work with Magik Markers, the overall aesthetic of 200 Years is one of dreamy, contemplative harmony between her voice and Chasny’s guitar.” This show is their official Louisville debut, and is definitely not to be missed!
STATE CHAMPION started in 2006 as a moniker for the early acoustic experiments of Ryan Davis. It has since evolved into a rock n’ roll band with a Chevy van and not one, but two vinyl records. Their sophomore record, Deep Shit, was released earlier this year on Sophomore Lounge Records, and has received quite a level of acclaim. Because it’s awesome! Welcome them home from a long, grueling, fun spring tour.
WOODS from Brookyln, New York create a distinctive blend of spooky campfire folk, lo-fi rock, homemade tape collages, and other noisy interludes, all anchored by deceptively sturdy melodies. Check out a video here: http://www.youtube.com/watch?v=BUfDu147PVM
MMOSS is a quartet based in Dover, New Hampshire that derives its energy and inspiration from late 60′s psych rock. Take legendary freak folk outfit Comus, pipe their music through a PA and fling that PA into space. That’s what MMOSS sounds like. Like psychedelic-prog broadcasted through Mir’s internal sound system. Check out a video here: http://www.youtube.com/watch?v=UPfA4poE6XM
GANGLY YOUTHis a five piece band from Louisville, Kentucky. Led by Dan Davis along with Brent Mills, Daniel Tilford, Ashley Urjil-Mills, and Nate Woodard, the band writes jangly, fuzzy, reverb soaked “pop” songs. Pulling from a wide array of influences and a very small amount of technical skill, GANGLY YOUTH applies a shared punk mentality and manages to make songs that are refreshing and new, yet familiar all the same. Check out a video from there 2nd show here: http://vimeo.com/35433108
Tuesday, April 3rd
at ZANZABAR
2100 S. Preston
8 PM Doors, $8, 21-and-over
(Photo of The Phantom Family Halo by David S. Rubin)
Since their relocation to Brooklyn, THE PHANTOM FAMILY HALO have announced the release of two recordsin 2012 on Knitting Factory Records – a “dark” and a “light” album. When I Fall Out is the first of the releases, issued on February 14, 2012. The second of the albums will be released in the fall of 2012. THE PHANTOM FAMILY HALO has shared stages and/or toured with Slint, The For Carnation, Guru Guru, Hawkwind. Black Angels, Black Mountain, Bonnie “Prince” Billy, and Roky Erickson, and are about to commence on a tour with Acid Mothers Temple. Read an interview with THE PHANTOM FAMILY HALO here: http://leoweekly.com/music/phantom-family-halo%E2%80%99s-future-now.
BALACLAVAS are from Houston, Texas where everything is eternally blistered, chemically altered, and forlorn. They are a band in the realest sense — they come on like a gang, play with one mind, hunt in one pack, party and fight together in a flat wild nowhere. Unlike the common livestock being unloaded into music, this is a band of predators. Perpetual outsiders; there will always be a wrong side of the tracks and they’ll always be from it. Ennio Morricone and scratchy noise guitars on storm-dub rhythms like if the heaviest incarnation of 1970s Pink Floyd were a future punk band invested by Jodorowsky to score Dune. You can hear storms approaching and sandworms underfoot. It’s an evil dance they’re bringing.
(Alcohol Party photograph by Bryan Volz)
Conjuring an intense, claustrophobic ‘more is less’ framework where every moment is scarred with pummeling bass, jagged guitar and ADHD drumming, ALCOHOL PARTY is a three-headed noise rock project from Louisville, Kentucky.
Saturday, March 31st
at ZANZABAR
2100 S. Preston
9 PM, 21 and over, $6
(Photo of The Ladybirds by Eddie Dant)
THE LADYBIRDS masterfully balance a mean juggling act. The Louisville, KY-based five-piece -Jaxon Swain, Max Balliet, Anthony Fossaluzza, Brett Holsclaw, and Sarah Teeple, articulately summons greasy garage rock and lush Spector pop sans kitsch or tribute act fluff. Their main influences are the years 1954 to 1973, when it was just about fun and swingin’ grooves, not the droll, heavy-handed, over-serious approach to songwriting oft employed in the contemporary American underground. Their 2007 debut, Whiskey & Wine, was well received in the region, and saw the group sharing the stage with the likes of Wanda Jackson, Dex Romweber Duo, Heavy Trash, The Greenhornes, and many more. The Ladybirds’ sophomore album, Shimmy Shimmy Dang, as demonstrated in the title, is truth in advertising. Flavors of surf, rockabilly, doo wop, and dusty retro bubblegum pop all take a front seat. Yet, as Jaxon explains “we’re all punk rockers in the end.” And that’s what separates THE LADYBIRDS from a simple nostalgia offering – modern and original twists on familiar sounds, influence by the genres the band describes as “rock at its most authentic.”
Summer 2009 Wez ate brownies had a vision. He told big black Zack and called Seth 3 times. They started the Nashville-based three piece rock band called NATURAL CHILD. Maybe known as much for their incessant rambling on-stage banter as their unprecedented pure rock sound, NATURAL CHILD are often described as “the greatest rock n’ roll band in the world”, a title which the trio has worked mercilessly hard to gain… and they have the balls to show for it. NATURAL CHILD want to play in Jamaica and want to play at the pyramids. They have a plan that involves Jack White to befriend Keith Richards and be the opening act on Rolling Stones farewell tour, thus having “the greatest rock n’ roll band in the world” torch officially passed on to them. Not Jack White. These guys love to party. And they love to ride in that van. Oh man.
Watch NATURAL CHILD cover “Born to Be Wild” in Louisville here:
Friday, March 23rd
atZANZABAR 2100 S. Preston Street 9 PM DOORS, $6, 21 and over
James Jackson Toth has been playing and recording (and releasing) music for over a decade, most notably as leader of the now-defunct New York-based collective Wooden Wand and the Vanishing Voice. After a solo album in 2007 on Rykodisc, and Thurston Moore’s Ecstatic Peace! label and the Mad Monk label, he continues under the name WOODEN WAND. Toth is a maverick, good-hearted troubadour whose blend of smoky Americana has been garnering plaudits for the last decade. Unafraid to mix psychedelic workouts with sweet and soulful country, his varied and prolific output has resulted in a wealth of lyrically rich songs; the kind whose lines stick in your head for a lifetime.
Born and raised Lower East Sider JEFFREY LEWIS leads a double-life, as both a comic book writer/artist and a musician. In 2001 JEFFREY LEWIS signed to Rough Trade Records (home of The Smiths, The Strokes, Belle & Sebastian, etc) and has since released five albums, in addition to touring the world and performing with Stephen Malkmus & the Jicks, Devendra Banhart, Black Dice, Thurston Moore, The Fall, The Vaselines, Beth Orton, Frank Black, The Fiery Furnaces, Daniel Johnston, Scout Niblett, The Mountain Goats, The Moldy Peaches, Cornershop, The Cribs, Dr. Dog, Kimya Dawson, Adam Green, Akron/Family, Roky Erickson, Au Revoir Simone, Peter Stampfel, and other luminaries.
TENDER MERCY is the brainchild of singer/songwriter Mark Kramer and can best be described as contemporary minimalism with strong acoustic leanings. Debuting with a track on the infamous Dunkenstein Record’s Doctors Of Dunk Vol. 2, TENDER MERCY began playing around Louisville, opening for the likes of Jamie Barnes, Tamara Dearing, The Deloreans, Ben Traughber, The Parade Schedule, and Nerves Jr. TENDER MERCY is about to release a 6 song EP next month entitled The Road To Good Intention Is Paved With Hell in the spring of 2012. It will be available through Bandcamp.com digitally and physically through Dunkenstein Records.
Cropped Out and The Other Side of Life present:
The Distonal.Com Launch Party with…
PSYCHEDELIC HORSESHIT (Columbus, OH; on Fat Cat Records) NATIVES (Louisville, KY; on Rad Tantrum) WET HAIR(Iowa City, IA; on Night-People/De Stijl) TROPICAL TRASH(Louisville, KY; on Loin Seepage/Sophomore Lounge)
Tuesday, March 6th
at HARLEY’S MAIN STREET TAVERN 122 W. Main (between 1st and 2nd Streets)
8 PM, $6, 21 and over.
This is the launch party for a new Louisville-based web publication called Distonal (from the creative forces that brought you the recently retired Decibel Tolls). In the words of the head honcho himself, Michael Powell:
Distonal is an online magazine spread across an anchored open source WordPress home and an accompanying Tumblr that will cover… well, whatever I feel like writing about. It’s the opposite of The Decibel Tolls in that regard, and it’s hard to say what will end up there, which excites me. The thread that binds everything, though, will be thoughtful and attitude-laden writing from myself and others (to be announced) that reaches toward broader universal topics, as well as articles that retain a strong commitment to the happenings of my native Louisville. I’ll still be reviewing records and photographing shows, but I may also drop some secret Bloggins curry recipes, March Madness picks, gastropub critiques, absurd manifestos, and my thoughts on the body politic. Distonal promises to be fluid and freeform, while brandishing a distinct voice all the while. It should go live sometime in late February, or early March at the latest. It’ll be a fun ride, and I hope you’ll follow me over there.
