PILLARS AND TONGUES, MAN FOREVER, and NEW MOTHER NATURE at ZANZABAR, Wednesday, May 30th

Cropped Out and The Other Side of Life are proud to present:

PILLARS AND TONGUES (Chicago, Illinois)
MAN FOREVER (Brooklyn, New York; on Thrill Jockey)
NEW MOTHER NATURE (Louisville, Kentucky)

Wednesday, May 30th
at ZANZABAR
2100 S. Preston
9 PM doors, $6, 21-and-over

PILLARS AND TONGUES is a trio based in Chicago, Illinois whose musical pursuits seem to defy genre categorization. The ongoing result of these pursuits has been called, variously, “holy” and “sexy” and it may well be the tension between these two concepts which lights the fire under (over?) PILLARS AND TONGUES. Think on those things which are so beautiful they become obscene. Speaking literally, the trio makes extended use of the human voice, violin, double bass, drums, bells and organs. The music is perhaps distinctly American in both its affair with American forms and its refusal to adhere to them at all.

Listen to a track by PILLARS AND TONGUES here: “Oaky (Doting, in Late Summer)”

John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. MAN FOREVER, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience. Thrill Jockey will release MAN FOREVER‘s first album, Pansophical Cataract, on May 15th.

(Photo of New Mother Nature by Tim Furnish.)

NEW MOTHER NATURE is a relatively new band on the Louisville scene, but filled with familiar faces. Members of NEW MOTHER NATURE are current or former members of Old Baby, The Phantom Family Halo, Natural Geographic, and many more. They’re quickly becoming one of our favorite new bands, and we think you’ll like ‘em as well.

Check out the Facebook invite here: http://www.facebook.com/events/125737587562676.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group, with lots more info, at http://www.facebook.com/groups/232825523444477/.

THE PHANTOM FAMILY HALO, BALACLAVAS, and ALCOHOL PARTY at ZANZABAR, Tuesday, April 3rd

Cropped Out and The Other Side of Life are proud to present:

THE PHANTOM FAMILY HALO (Brooklyn-via-Louisville; on Knitting Factory Records)
BALACLAVAS (Houston, Texas; on Dull Knife)
ALCOHOL PARTY (Louisville, Kentucky)

Tuesday, April 3rd
at ZANZABAR
2100 S. Preston
8 PM Doors, $8, 21-and-over

(Photo of The Phantom Family Halo by David S. Rubin)

Since their relocation to Brooklyn, THE PHANTOM FAMILY HALO have announced the release of two records in 2012 on Knitting Factory Records – a “dark” and a “light” album.  When I Fall Out is the first of the releases, issued on February 14, 2012. The second of the albums will be released in the fall of 2012. THE PHANTOM FAMILY HALO has shared stages and/or toured with Slint, The For Carnation, Guru Guru, Hawkwind. Black Angels, Black Mountain, Bonnie “Prince” Billy, and Roky Erickson, and are about to commence on a tour with Acid Mothers Temple. Read an interview with THE PHANTOM FAMILY HALO here: http://leoweekly.com/music/phantom-family-halo%E2%80%99s-future-now.

BALACLAVAS are from Houston, Texas where everything is eternally blistered, chemically altered, and forlorn. They are a band in the realest sense — they come on like a gang, play with one mind, hunt in one pack, party and fight together in a flat wild nowhere. Unlike the common livestock being unloaded into music, this is a band of predators. Perpetual outsiders; there will always be a wrong side of the tracks and they’ll always be from it. Ennio Morricone and scratchy noise guitars on storm-dub rhythms like if the heaviest incarnation of 1970s Pink Floyd were a future punk band invested by Jodorowsky to score Dune. You can hear storms approaching and sandworms underfoot. It’s an evil dance they’re bringing.

(Alcohol Party photograph by Bryan Volz)

Conjuring an intense, claustrophobic ‘more is less’ framework where every moment is scarred with pummeling bass, jagged guitar and ADHD drumming, ALCOHOL PARTY is a three-headed noise rock project from Louisville, Kentucky.

Find the Facebook invite here: http://www.facebook.com/events/240466442709508.

To join our email list, send an email to hstencil AT gmail DOT com.

DISTONAL LAUNCH PARTY with PSYCHEDELIC HORSESHIT, NATIVES, WET HAIR, TROPICAL TRASH at HARLEY’S MAIN STREET TAVERN, Tuesday March 6th

Cropped Out and The Other Side of Life present:
The Distonal.Com Launch Party with…

PSYCHEDELIC HORSESHIT (Columbus, OH; on Fat Cat Records)
NATIVES (Louisville, KY; on Rad Tantrum)
WET HAIR (Iowa City, IA; on Night-People/De Stijl)
TROPICAL TRASH (Louisville, KY; on Loin Seepage/Sophomore Lounge)

Tuesday, March 6th
at HARLEY’S MAIN STREET TAVERN
122 W. Main (between 1st and 2nd Streets)
8 PM, $6, 21 and over.

This is the launch party for a new Louisville-based web publication called Distonal (from the creative forces that brought you the recently retired Decibel Tolls). In the words of the head honcho himself, Michael Powell:

Distonal is an online magazine spread across an anchored open source WordPress home and an accompanying Tumblr that will cover… well, whatever I feel like writing about. It’s the opposite of The Decibel Tolls in that regard, and it’s hard to say what will end up there, which excites me. The thread that binds everything, though, will be thoughtful and attitude-laden writing from myself and others (to be announced) that reaches toward broader universal topics, as well as articles that retain a strong commitment to the happenings of my native Louisville. I’ll still be reviewing records and photographing shows, but I may also drop some secret Bloggins curry recipes, March Madness picks, gastropub critiques, absurd manifestos, and my thoughts on the body politic. Distonal promises to be fluid and freeform, while brandishing a distinct voice all the while. It should go live sometime in late February, or early March at the latest. It’ll be a fun ride, and I hope you’ll follow me over there.

Check out the Facebook invite here: http://www.facebook.com/events/169598496483223. And like Distonal on Facebook here: http://www.facebook.com/distonal.

To join our email list, send an email to hstencil AT gmail DOT com.

Mike Kelley, R.I.P.

The artist and musician Mike Kelley has died, apparently by his own hand (from Blouin Artinfo):

Artist Mike Kelley has passed away at his home in Los Angeles, having apparently taken his own life. The tragic news was confirmed to BLOUIN ARTINFO by Helene Winer, of New York’s Metro Pictures gallery, a long-time associate of the artist.

“It is totally shocking that someone would decide to do this, someone who has success and renown and options,” said Winer. “It’s extremely sad.” She added that the artist had been depressed.

Kelley was born in 1954 in a suburb of Detroit, Michigan. He became involved in the city’s music scene as a teen, and while a student at the University of Michigan, formed the influential proto-punk band Destroy All Monsters with fellow artists Jim Shaw, Niagara, and Cary Loren (a retrospective devoted to Destroy All Monsters was held at L.A.’s Prism gallery last year). Together, the band hatched a style of performance that skirted the edge of performance art.

After graduating college in 1976, he moved to Los Angeles to attend the California Institute of the Arts, studying alongside teachers like John Baldessari and Laurie Anderson. Music continued to be a constant passion: he formed another band, “Poetics,” with fellow CalArts students John Miller and Tony Oursler.

Kelley’s career took off in the early 1990s, with solo shows at the Whitney, LACMA, and other international venues. He and Oursler organized a well-recived installation — a kind of monument to punk — at Documenta X in 1997. In the early 2000s, he began exhibiting with Gagosian Gallery after 20 years with Metro Pictures.

For his 2005 exhibition “Day is Done,” Kelley filled Gagosian with found yearbook photos, video footage, and automated furniture, prompting New York Magazine critic Jerry Saltz to describe the show as an example of “clusterfuck aesthetics.” More conventionally, he was associated with the notion of “abject art,” highlighting the irrational and the repulsive.

Kelley’s work will be included in the upcoming Whitney Biennial. It is the eighth time his work has been included in the biannual exhibition.

Perhaps best known in the music world for his cover of Sonic Youth’s Dirty album, Kelley was also a founding member of Destroy All Monsters and Poetics, and worked with many musicians over the course of his career.

CHIKAMORACHI with special guests STEVE GOOD and TIM BARNES at the NACHBAR, Sunday January 29th

Black Velvet Fuckere, Cropped Out and The Other Side of Life are proud to present:

CHIKAMORACHI (Chris Corsano and Darin Gray)

with special guests:

STEVE GOOD and TIM BARNES

Sunday, January 29th
at NACHBAR
969 Charles Street (at the corner of Charles and Krieger)
First set at 9 PM, second set at 10:30 PM — 21 and over
FREE!

Since 2005 DARIN GRAY (upright bass) and CHRIS CORSANO (drums) have performed side by side as CHIKAMORACHI. Working either in a trio with saxophonist Akira Sakata or a quartet that adds Jim O’Rourke on guitar, they’ve released six albums to date, including 2011′s And That’s the Story of Jazz double CD and Live at Hungry Brain LP. The high-speed empathy that Gray and Corsano have developed over the years will be brought to the fore in 2012, when the duo strike out on their own for a tour of the Midwest. Neither member is a stranger to the possibilities afforded when the melodic, harmonic and rhythmic duties are left to an upright bass and drum duo. Gray‘s group On Fillmore with Wilco drummer Glenn Kotche has been going strong for the past ten years. For his part, Corsano has gigged and recorded as a duo with double bassists John Edwards and Matt Heyner.

Darin Gray is best known as Jim O’Rourke’s go-to bassist for nearly 20 years, as half of the duo On Fillmore, and as the bassist for Grand Ulena, Dazzling Killmen, and Brise-Glace. As an improviser he has performed and recorded with among others: Loren Connors, Masami Akita (Merzbow), Josh Abrams, Jason Roebke, Axel Dorner, Kevin Drumm, Alan Licht, Thollem Mcdonas, and Jim O’Rourke. As a session bassist he has played on recordings by Will Oldham, Cheer-Accident, Rope, Bobby Conn, Daneilson Family, Early Day Miners, Bunnygrunt, Jim O’Rourke, etc… He has toured extensively in the United States, Japan, Brazil, Canada, and Europe.

Chris Corsano began a long-standing, high-energy partnership with saxophonist Paul Flaherty in 1998. A move from western Massachusetts, USA to the UK in 2005 led Chris to develop a solo music of his own, incorporating sax reeds, violin strings, pot lids, adhesive tape and other household devices into his drum kit. 2007 and ’08 were spent as the drummer on Björk’s Volta world tour. Returning back to the U.S. in 2009, Corsano shifted focus back to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work. In addition to the those mentioned above, he’s also worked with, among others: Evan Parker, Paul Dunmall, Nels Cline, Thurston Moore, Jessica Rylan, Jandek, Sunburned Hand Of Man, and Joe McPhee.

Watch a video of Chikamorachi with Akira Sakata here:

During the second set of the performance, CHIKAMORACHI will be joined by the addition of STEVE GOOD (saxophones, clarinet) and TIM BARNES (percussion). A vital natural resource in the Louisville music scene for multiple decades, Steve Good‘s musical vocabulary orbits lightly through a vast expansive local history: doing time with The Web, E-Or, Juanita, Ut Gret, Sapat, Crappy Nightmareville, Parlour, The Liberation Prophecy and many, many others.  He has documented via audio recording many thousands of local shows. Slint played in his basement, he recorded the first Will Oldham single, he ran sound and documented the weekly experimental music series at Artswatch through the 1990s, and yes, he shared a stage in Switzerland with Donovan back in the 1970s. Louisville resident and drummer extraordinaire, the list of Tim Barnes‘s collaborators is too long to list here, but it includes Jim O’Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, and countless others. Most recently, Tim Barnes played drums with the newly resurrected lineup of The For Carnation, as well as with MV+EE at Cropped Out in November, 2011.

Check out the Facebook invite here: http://www.facebook.com/events/154038334705749.

To join our email list, send an email to hstencil AT gmail DOT com.

MUSIC and ART This Weekend, 11/17-11/20

There’s a lot of things going on this weekend to tell you about, so let’s get started…

Tonight, at the Clifton Center, none other than BASSEKOU KOUYATE AND NGONI BA will be performing. We wrote about their album Segu Blue way back in 2009 here:

Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other time than right now. Fortunately, all the attention on Mali is casting some light on other worthwhile players as well. Countryman Bassekou Kouyate plays the ngoni, a six-stringed instrument, which is arguably less complex than Tiabate’s 21-stringed kora, but still retains a beautiful melodicism. Kouyate’s 2007 album Segu Blue, issued in the United States this year, contains all the beauty one has come to expect from acoustic music from Mali. And on the blue “Lament for Ali Farka,” a requiem for the departed guitarist Ali Farka Toure, Kouyate and his group Ngoni Ba emerge from the shadows cast by their better-known comrades.

You can buy tickets here: http://www.cliftoncenter.org/?post_type=events&p=144. The Clifton Center is located at 2117 Payne Street, just off Frankfort Avenue. Tickets are $20 and the doors are at 7:30 PM.

Tomorrow night, KING’S DAUGHTERS & SONS make a rare appearance at 21C with SELUAH. Read an exciting interview with KD&S in this week’s LEO here: http://leoweekly.com/music/justice-served-king%E2%80%99s-daughters-sons. Doors are at 8 PM, and it costs $10.

Finally, tomorrow night is the opening reception of THE EXPANDED MUSIC PROJECT, a new show at the LAND OF TOMORROW gallery exploring the relationship between music and art. Here’s their description (with more information here: http://www.landoftomorrow.org/events-exhibitions/expanded-music-project/):

Land of Tomorrow (LOT) is pleased to present the Expanded Music Project, a showcase of work illustrating the intersection between art and music.  The opening reception will be held at our Louisville location on November 18^th from 7pm, and the show will run through the 3^rd of January.  Included in this exhibition will be work by Heather Cantrell, Aurora Childs, Saiman Chow, Hirsuta, Geneva Jacuzzi, Leslie Lyons, Andrea Stanislav, Thieves Like Us, as well as Raurouw with Shedding, Peaking Lights with artist Letitia Quesenberry, and musician EMA with artist Jacob Heustis.

The premise of this show is to highlight the fluidity between creative forms and artistic practices.  The influence of album art, video production, stage design, graffiti, and the appropriation tactics of remixing have established an ongoing conversation between artists and musicians.  This dialogue between visual artist and musician continues to play a major role, and creative forces as diverse as Elvis, The Velvet Underground, Talking Heads, Pink Floyd, and Afrika Bambaataa have delved into the realms of the visual and the auditory to produce work that both fields accept and champion.

The show will be up through January 3rd, but tomorrow night is a great chance to see it first. And it’s free! LAND OF TOMORROW is located at 233 W. Broadway, in the St. Francis High School Building.

A CROPPED OUT Summary: Or Louisville’s Best Music Weekend Ever

Hey Louisville, if you weren’t at CROPPED OUT at some point during this past weekend, you really missed something quite special. It wasn’t just that there were a buncha noisy, arty bands and rock n’ roll and whatnot. There was actually a quite palpable community spirit, evidenced by the smiles, high-fives, and general fun it seemed that most everybody had. Didn’t hurt that some of the best weather of the fall made it possible for lots of bands to play outside, too. So here’s a quick rundown of best parts of the festival, complete with crappy pictures from my cellphone.

DAY 1 — FRIDAY, NOVEMBER 11th: Though it got started way early on Friday afternoon, and there was some noise issues early on, Friday was a good start, especially for the Louisville bands on the bill. SAVAGES played immediately after LEARNER DANCER, both of which brought forceful, guitar-heavy rock (the former more in a pop vein, while the latter mined some heavy Sonic Youth-style dissonant territory).

One of the early Friday highlights was, of course, Louisville’s SHEDDING (disclaimer: Connor and I are buds, but even if we weren’t, I’d still love his music). Despite his talk of being influenced by RUSH, Connor really brought more of a CURRENT 93 vibe, perfectly mellow yet eerie.

Another Friday highlight was Austin, Texas’s SHIT & SHINE, which featured none other than the BUTTHOLE SURFERS’ KING COFFEY on percussion. Tribal, BOREDOMS-esque throb with synth squiggles and CB radio nonsense. Totally fun.

Other Friday night highlights included (in no particular order):
1. apologizing to KING COFFEY for talking his ear off at SxSW ’07
2. MOUNT CARMEL — and the revelation afterwards that KING has never seen ZZ TOP!
3. bonfires (more on them later)
4. hangin’ with MV + EE‘s dog Zuma
5. SHIT & SHINE‘s bunny suits
6. MV + EE singing “Fire on the Mountain” at the end of a fantastic set backed by TIM BARNES and CHRIS from the CHERRY BLOSSOMS (thanks for the beers!)
7. Locals ALCOHOL PARTY, NATIVES, ANWAR SADAT, and AXEL COOPER showing how it’s done
8. Chorizo taco from the Holy Mole Taco Truck
9. Good times with friends old and new
10. Beer

DAY 2 — SATURDAY, NOVEMBER 12th: Saturday started inauspiciously as I showed up to the venue, the CRUMMY DEN, way early, so I wandered over to the FLEA OFF MARKET (where I bought an excellent book of photography from Louisville Hardcore’s poet laureate, Mr. BRETT EUGENE RALPH), then had lunch at the Blind Pig. Missed most of the early sets due to some errands I had to run, but caught a little bit of VIDEO DAUGHTER, who were okay.

CROPPED OUT is coming up…

We haven’t had too much to say about the upcoming CROPPED OUT festival, on the weekend of November 11th – 13th here in lovely Louisville, Kentucky, because it seems like it’s all anybody can talk about anyway! I mean, can you believe freakin’ SCRATCH ACID is gonna play?* Me neither, and I’m really stoked!

But the CROPPED OUT fest is far more than just one band. It’s a whole mess of ‘em! Including some of our favorite performers ever:

• BILL ORCUTT, former guitarist for HARRY PUSSY, and one of the most exciting purveyors of six-string nonsense (even though he only plays four strings, apparently) going today.
• MV + EE, the duo of Matt Valentine (formerly of THE TOWER RECORDINGS) and Erika Elder is probably the closest you’ll get to seeing Neil Young live, except perhaps even more damaged. And rumor has it that former TOWER RECORDINGS member TIM BARNES will be joining them!
• MOUNT CARMEL is probably our favorite of the new SILTBREEZE roster — straight-ahead Ohio-style boogie rock!
• HUMAN EYE might possibly be the best rock band in Detroit right now. Period.

And there’s a whole slew more, including lots of shit we’ve never heard of before! And a bevy of fantastic local artists, including our friends SAPAT, YOUNG WIDOWS, SHEDDING, COLISEUM, CROSS, and lots more!

They got a new web site up at http://croppedoutmusic.com, so check it out and buy your tickets ASAP.** It’s gonna be killer!

*On a side note, how come nobody got it together to bring THE JESUS LIZARD to Louisville during their recent reunion action? Just because Laura Shine has no idea who they are doesn’t mean they weren’t one of the most popular Chicago-style bands to play in Louisville during the 1990s. Our excuse for not booking them is, well, we were too poor to afford their guarantee (as if our shoe-string show budget wasn’t obvious).

**Seriously Louisville, if you sleep on this like you slept on TERRASTOCK 2008, you only have yourself to blame. The prices are good, the venue is centrally located, and if you miss it…

DISCLAIMER: We are buds with Ryan and James who are booking/promoting CROPPED OUT, and we think they’re awesome! We do occasionally co-promote shows with ‘em but that’s only because they rule!

The Phantom Family Halo, Music from Italian T.V. (Sophomore Lounge)

Today’s edition of LEO Weekly contains my review of the new Phantom Family Halo record, Music from Italian T.V.:

Over the past year, The Phantom Family Halo released its Monoliths & These Flowers Never Die double-album and subsequently played a number of epic shows in town. Music from Italian TV continues with a pleasantly confusing blend of styles in a more concise format. Staples of their live show, like “It’s OK About the War (Gettysburg Jam)” and “Bringing Back the Dead” get a more polished, sublime treatment, while longer tracks like opener “I Believe In Everything” and “Overkirsh” present yet more experimentation, the former resembling a jam off Amon Duul’s 1969 classic Psychedelic Underground played backward and superimposed with television dialogue. There are a number of good bands in Louisville these days, but there’s not another band here, much less the rest of the nation, as inventive as The Phantom Family Halo.

Buy it from Sophomore Lounge Records.

The Phantom Family Halo performs in Louisville this Friday, Nov. 12, at 7 PM as part of Art After Dark at the J.B. Speed Museum ($5 for museum members, U of L and Bellarmine students, $15 for non-members). More information here: http://www.speedmuseum.org/calendar/Brown-Forman_Art_After_Dark.

CROPPED OUT Festival with PISSED JEANS, MAGIK MARKERS and more! Friday – Sunday, Oct. 1-3

Though we’ve been relatively inactive lately, we would be remiss if we didn’t mention the upcoming CROPPED OUT Festival, in Louisville during the first weekend in October. CROPPED OUT features some of our favorite current bands, including PISSED JEANS, MAGIK MARKERS, SIC ALPS, and many more. Also, there’s a very strong representation of Louisville musicians at the festival, so it’s not just a buncha out-of-towners. Here’s more, including the weekend’s lineup:

Ryan Davis here, just reminding you (or possibly informing you for the first time) that my friend James Ardery and I are organizing a new music festival called Cropped Out for the first weekend of October (10/1-10/3, 2010) in Louisville, KY. The bulk of the event (Saturday and Sunday) will be taking place at the American Turners Club (3125 Upper River Road) with a Friday night kick-off event just a couple doors down at Kingfish (3021 Upper River Road).

Tickets are now on sale by way of cash, check, or PayPal at Sophomore Lounge (http://sophomorelounge.com), as well as locally at ear X-tacy, Underground Sounds, and Wild & Woolly Video. Or, if you’d rather go the digital route, you can order “will call” tickets (available upon your arrival) through TicketFly… http://www.ticketfly.com/tickets/event-list/?q=cropped+out&input.x=0&input.y=0

Tickets for Friday night are $10. Tickets for Saturday are $18. Tickets for Sunday are $18. Tickets for Saturday and Sunday combined are $30. If you are cool enough of a human arts & culture machine to be interested in attending all three days, contact us directly and we will sell you all three tickets for $35.

FRIDAY NIGHT 10/1 (PFH RECORD RELEASE/CROPPED OUT KICK-OFF)
KINGFISH (3021 Upper River Rd.)

Fielded (Chicago, IL) 8-8:30
Sapat (Louisville, KY) 9-9:40
Julianna Barwick (Brooklyn, NY) 10-10:40
The Phantom Family Halo record release show (Louisville, KY) 11-11:40
Moon Duo (San Francisco, CA) 12-12:45

SATURDAY 10/2 (INSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

The Highlife (Brooklyn, NY/Chicago, IL) 4-4:30
Rabble Rabble (Chicago, IL) 4:50-5:20
LUSHES (Brooklyn, NY) 5:40-6:10
Slow Horse (Chicago, IL) 6:30-7
Prideswallower (Louisville, KY) 7:20-7:50
Wishgift (Chicago, IL) 8:10-8:40
Straight A’s (Louisville, KY) 9 9:40
Parlour (Louisville, KY) 10:05-10:45
CAVE (Chicago, IL) 11:10-11:45
Young Widows (Louisville, KY) 12:05-12:50
Pissed Jeans (Philadelphia, PA) 1:10-2

SATURDAY 10/2 (OUTSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Alex Barnett (Chicago, IL) 1:45-2
Learner Dancer (Indianapolis, IN) 2:15-2:40
Nzambi (Louisville, KY) 2:55-3:20
SKIMASK (Boston, MA) 3:35-4
DAD (Chicago, IL) 4:15-4:45
Geffika (Chicago, IL) 5:05-5:35
Life Partner (Louisville, KY/Chicago, IL) 6-6:30
Natural Geographic (Louisville, KY) 6:50-7:20
MEAH! (Chicago, IL) 7:40-8:10
PC Worship (Brooklyn, NY) 8:30-9:10
CACAW (Chicago, IL) 9:30-10:10
Ga’an (Chicago, IL) 10:30-11:15

SUNDAY 10/3 (INSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Brett Sova (Chicago, IL) 3:05-3:30
Sean Walsh & The National Reserve (Brooklyn, NY) 3:50-4:20
Heavy Cream (Nashville, TN) 4:40-5:10
Animal City (Chicago, IL) 5:30-6
Idiot Glee (Lexington, KY) 6:20-6:50
Warmer Milks (Lexington, KY) 7:10-7:40
Rude Weirdo (Louisville, KY) 8-8:30
FLIGHT (Taylor, MS) 8:50-9:25
Golden Boys (Austin, TX) 9:45-10:20
JEFF The Brotherhood (Nashville, TN) 10:40-11:20
Magik Markers (Brooklyn, NY) 11:40-12:40

SUNDAY 10/3 (OUTSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Softcheque (Louisville, KY) 12:25-12:55
Reading Group (Louisville, KY) 1:10-1:35
Gangly Youth (Louisville, KY) 1:50-2:15
Spectre Folk (Brooklyn, NY) 2:35-3:05
Tinsel Teeth (Providence, RI) 3:25-3:55
PUJOL (Nashville, TN) 4:15-4:45
Giving Up (Garner, IA) 5:05-5:40
State Champion (Louisville, KY/Chicago, IL) 5:55-6:30
Catherine Irwin (Louisville, KY) 6:45-7:20
Spider Bags (Chapel Hill, NC) 7:40-8:20
King Kong (Louisville, KY) 8:40-9:20
Sic Alps (San Francisco, CA) 9:40-10:35

Our friends over at the excellent blog The Decibel Tolls have already published a preview of Friday’s acts, with more to come.

UPDATE 9/30/10: The Decibel Tolls has listed previews of Saturday and Sunday for Cropped Out.